I tailored and rewrote a song from KLONQUE to feature all the different sounds, the Invective can offer.
Presenting all the features and switching options.
New Video I made for Peavey is online. The Peavey Invective 120 Misha Mansoor Signature amp. Watch here
Hey Everyone! As requested, I am posting videos on the process of writing songs for Läget. First up–Wasted! Watch to find out what guitars and techniques I used and the harmonics and specialized killswitches involved to make the unique, ethereal spirals of sound… Hallo Leute! Wie versprochen, poste ich Videos über den Schreibprozess von Läget. […]
A few weeks ago I broke my finger on a lovely armchair. Much to my chagrin, it just happened to be two weeks before my workshops and presentations at Guitar Summit 2017. There was no way I was going to cancel that event, so I quickly adapted my playing techniques, rearranged my presentation, and…well, having […]
As many of you know, I was at Guitar Summit 2017 in Mannheim, Germany. At the FGN, Positive Grid, and Peavey booth, I had two great and jovial co-workers, Sven „Svenson“ Kühbauch and Walter Hauschild. As an FGN endorser, it was splendid to talk with the customers visiting our booth and hear how many of […]
Peter Geltat Trio is proud to announce their latest full-length studio album, Läget! It’s available today!!! August 31, 2017 in a digipack (CD) and digitally via iTunes, googleplay, amazon.de, & amazon.com. The final versions were mixed and mastered by Tom „Fountainhead“ Geldschläger in Spring 2017. Album design created by Thomas Neitsch. Ab jetzt erhältlich!!! 31 […]
First Song from our first album „Läget“, watch it here
Today the Peter Geltat Trio album LÄGET arrived! I cannot express how happy I am. Official release date August 31. Stay tuned for more details!!! (LÄGET teaser track)
I am proud to announce that my Trio will release our first album „LÄGET“ at the end of August. We recorded songs beginning in January, 2016 in my home studio and at Studio X in Berlin, Germany. The final versions were mixed and mastered by Tom „Fountainhead“ Geldschläger in Spring 2017. Album design created by […]